Literature



AGAMBEN, Giorgio (1991). “Notes sur le geste”. Trafic 1, 34-57.

ALLEN, Richard; SMITH, Murray (eds.) (1997). Film Theory and Philosophy. Oxford: Oxford University Press.

ASTRUC, Alexandre (1992). Écrits. Paris: L’Archipel.


BADIOU, Alain (1997). Deleuze: La Clameur de l’être. Paris: Hachette.

BORDWELL, David (1989). Making Meaning: Inference and Rethoric in the Interpretation of Cinema. Cambridge, MA: Harvard University Press.

BORDWELL, David; CARROLL, Nöel (eds.) (1996). Post-Theory: Reconstructing Film Studies. Madison: University of Wisconsin Press.

BRANIGAN, Edward (2006). Projecting a Camera, Language-Games in Film Theory. London: Routledge.

BUCKLAND, Warren (1995). The Film Spectator: From Sign to Mind. Amsterdam: Amsterdam University Press.


CARROLL, Nöel (1988). Philosophical Problems of Classical Film Theory. Princeton: Princeton University Press.

CARROLL, Nöel (1988). Mystifying Movies: Fads and Fallacies in Contemporary Film Theory. New York: Columbia University Press.

CARROLL, Nöel (1996). Theorizing The Moving Image. Cambridge: Cambridge University Press.

CARROLL, Nöel (1998). A Philosophy of Mass Art. Oxford: Oxford University Press.

CARROLL, Nöel (1998). Interpreting The Moving Image. Cambridge: Cambridge University Press.

CARROLL, Nöel (2003). Engaging the Moving Image. New Haven, CT: Yale University Press.

CARROLL, Nöel (2007). Comedy Incarnate: Buster Keaton, Physical Humor and Bodily Coping. Oxford: Blackwell.

CARROLL, Nöel (2008). The Philosophy of Motion Pictures. Oxford: Blackwell.

CARROLL, Nöel; CHOI, Jinhee (eds.) (2006). Philosophy of Film and Motion Pictures. London: Blackwell.

CAVELL, Stanley (1979). The World Viewed. Reflections on the Ontology of Film (enlarged edn.). Cambridge: Harvard University Press.

CAVELL, Stanley (1981). Pursuits of Happiness: The Hollywood Comedy of Remarriage. Cambridge, MA: Harvard University Press.

CAVELL, Stanley (1997). Contesting Tears: The Hollywood Melodrama of the Unknown Woman. Chicago: University Of Chicago Press.

CAVELL, Stanley (2004). Cities of Words: Pedagogical Letters on a Register of the Moral Life. Cambridge, MA: Harvard University Press.

CHATEAU, Dominique (2003). Cinéma et Philosophie. Paris: Nathan.

CHATMAN, Seymour (1990). Coming to Terms: The Rethoric of Narrative in Fiction and Film. Ithaca, NY: Cornell University Press.

CURRIE, Gregory (1995). Image and Mind: Film, Philosophy and Cognitive Science. Cambridge: Cambridge University Press.

CURRIE, Gregory (2004). Arts and Minds. Cambridge: Harvard University Press.


DELEUZE, Gilles (1983). Cinéma I: L'image-mouvement. Paris: Les Éditions de Minuit.  

DELEUZE, Gilles (1985). Cinéma II: L'image-temps. Paris: Les Éditions de Minuit.


FALZON, Christopher (2002). Philosophy Goes to the Movies. London: Routledge.

FRAMPTON, Daniel (2006). Filmosophy. London: Wallflower Press.

FREELAND, Cynthia A.; WARTENBERG, Thomas (eds.) (1995). Philosophy and Film. London: Routledge.


GAUT, Berys (2010). A Philosophy of Cinematic Art. Cambridge: Cambridge University Press.

GRILO, João Mário (2006). O Homem Imaginado: Cinema, Acção, Pensamento. Lisbon: Livros Horizonte.


JARVIE, Ian (1987). Philosophy of Film: Epistemology, Ontology Aesthetics. London: Routledge & Kegan Paul.

JARVIE, Ian (1999). “Is Analytic Philosophy a Cure for Film Theory ?”. Philosophy of the Social Sciences 29:3, 416-40.


LITCH, Mary M. (2010). Philosophy Through Film. London: Routledge.

LIVINGSTON, Paisley; PLANTINGA, Carl (eds.) (2008). The Routledge Companion to Philosophy and Film. London: Routledge.


MULHALL, Stephen (2008). On Film (2nd edn.). London: Routledge.


PLANTINGA, Carl; SMITH, Greg M. (eds.) (1999). Passionate Views. Baltimore: John Hopkins University Press.


READ, Rupert; GOODENOUGH, Jerry (eds.) (2005). Film as Philosophy: Essays on Cinema after Wittgenstein and Cavell. Houndmills: Palgrave Macmillan.

RODOWICK, D. N. (ed.) (1994). The Crisis of Political Modernism: Criticism and Ideology in Contemporary Film Theory (2nd edn.).  Berkeley:  University of California Press.

RODOWICK, D. N. (1991). The Difficulty of Difference: Psychoanalysis, Sexual Difference, and Film Theory . New York: Routledge.

RODOWICK, D. N. (1997). Gilles Deleuze's Time Machine. Durham, NC: Duke University Press.

RODOWICK, D. N. (2001). Reading the Figural, or Philosophy after the New Media. Durham, NC: Duke University Press.

RODOWICK, D. N. (2007). "An Elegy for Theory". October 121, 99-110.

RODOWICK, D. N. (2007). The Virtual Life of Film. Cambridge, MA: Harvard University Press .

RODOWICK, D. N. (2009). Afterimages of Gilles Deleuze’s Film Philosophy. Minneapolis: University of Minnesota Press .

ROTHMAN, William (ed.) (2005).  Cavell On Film.  New York: State University of New York Press.


SMITH, Gregory M. (2003). Film Structure and the Emotion System. Cambridge: Cambridge University Press.

SMITH, Murray (1995). Engaging Characters: Fiction, Emotion, and the Cinema. Oxford: Oxford University Press.

SMITH, Murray; WARTENBERG, Thomas E. (eds.) (2006). Thinking Through Cinema: Film as Philosophy. Hoboken, NJ: Wiley-Blackwell.

SOBCHACK, Vivian (1992). The Adress of the Eye: A Phenomenology of Film Experience. Princeton: Princeton University Press.


WARTENBERG, Thomas E. (2007). Thinking on Screen: Film as Philosophy. London: Routledge.


ŽIŽEK, Slavoj (2001). Enjoy Your Symptom!: Jacques Lacan in Hollywood and Out. London: Routledge.

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