• LEITURA INTRODUTÓRIA: “What Becomes of Thinking on Film?: Stanley Cavell in Conversation with Andrew Klevan” (Read e Goodenough 2005: 167-209). PDF
Sessão 1: 15 Fevereiro 2011
The Thin Red Line / A Barreira Invisível (Terrence Malick, 1998)
• LEITURA I: Stanley Cavell, “Foreword”, excerto (Cavell 1979: xiv-xvi). PDF
• LEITURA II: Simon Critchley, “Calm: On Terrence Malick’s The Thin Red Line” (Read e Goodenough 2005: 133-148). PDF
• FILME COMPLEMENTAR: Days of Heaven / Dias do Paraíso (Terrence Malick, 1978)
Sessão 2: 22 Fevereiro 2011
Sommarnattens leende / Sorrisos de uma Noite de Verão (Ingmar Bergman, 1955)
• LEITURA I: Stanley Cavell, “The World Viewed” (Carroll e Choi 2006: 67-78). PDF
• LEITURA II: Stanley Cavell, “Seasons of Love: Bergman’s Smiles of a Summer Night and The Winter’s Tale” (Rothman 2005: 193-203). PDF
Sessão 3: 1 Março 2011
The Awful Truth / Com a Verdade me Enganas (Leo McCarey, 1937)
• LEITURA I: Stanley Cavell, “The Same and Different: The Awful Truth” (Cavell 1981: 231-263). PDF
• LEITURA II: Andrew Klevan, “The Willingness for the Everyday” (Klevan 2000: 22-30). PDF
Sessão 4: 15 Março 2011
The Lady Eve / As Três Noites de Eva (Preston Sturges, 1941)
• LEITURA: Stanley Cavell, “Cons and Pros: The Lady Eve” (Cavell 1981: 46-70). PDF
Sessão 5: 22 Março 2011
Bringing Up Baby / As Duas Feras (Howard Hawks, 1938)
• LEITURA: Stanley Cavell, “Leopards in Connecticut: Bringing Up Baby” (Cavell 1981: 112-132). PDF
Sessão 6: 29 Março 2011
Letter from an Unknown Woman / Carta de uma Desconhecida (Max Ophüls, 1948)
• LEITURA: Stanley Cavell, “Psychoanalysis and Cinema: Moments of Letter from an Unknown Woman” (Cavell 1996: 81-113). PDF
Sessão 7: 12 Abril 2011
Stella Dallas / O Pecado das Mães (King Vidor, 1937)
• LEITURA: Stanley Cavell, “Stella’s Taste: Reading Stella Dallas” (Cavell 1996: 197-222). PDF
Sessão 8: 3 Maio 2011
Conte d’hiver / Conto de Inverno (Éric Rohmer, 1992)
• LEITURA: Stanley Cavell, “On Eric Rohmer’s A Tale of Winter” (Rothman 2005: 287-293). PDF
Sessão 9: 10 Maio 2011
The Philadelphia Story / Casamento Escandaloso (George Cukor, 1940)
• LEITURA I: Stanley Cavell, “Emerson” (Cavell 2004: 19-34).
• LEITURA II: Stanley Cavell, “The Philadelphia Story” (Cavell 2004: 35-48). PDF(I+II)
Sessão 10: 17 Maio 2011 (atenção à data)
Je vous salue, Marie / Eu Vos Saúdo, Maria (Jean-Luc Godard, 1985)
• LEITURA: Stanley Cavell, “Prénom: Marie” (Rothman 2005: 175-181). PDF
Referências
CARROLL, Nöel; CHOI, Jinhee (eds.) (2006). Philosophy of Film and Motion Pictures. Londres: Blackwell.
CAVELL, Stanley (1981). Pursuits of Happiness: The Hollywood Comedy of Remarriage. Cambridge, MA: Harvard University Press.
CAVELL, Stanley (1997). Contesting Tears: The Hollywood Melodrama of the Unknown Woman. Chicago: University Of Chicago Press.
CAVELL, Stanley (2004). Cities of Words: Pedagogical Letters on a Register of the Moral Life. Cambridge, MA: Harvard University Press.
KLEVAN, Andrew (2000). Disclosure of the Everyday: Undramatic Achievement in Narrative Film. Trowbridge: Flicks Books.
READ, Rupert; GOODENOUGH, Jerry (eds.) (2005). Film as Philosophy: Essays on Cinema after Wittgenstein and Cavell. Houndmills: Palgrave Macmillan.
ROTHMAN, William (ed.) (2005). Cavell On Film. Nova Iorque: State University of New York Press.
